An Evening at the Wagner

Last night I finally stepped across the threshold of the Wagner Free Institute of Science after having lived less than five blocks away for over a year. I have been meaning to check the Institute out, and finally had a good excuse: New Perspectives on Historic Collections, an evening of presentations from the recipients of the Temple University – Wagner Free Institute Research Fellowship.

Dermot Mac Cormack shows some of the glyphs of handwriting that would become the Willison font

I remember seeing the request for papers for the fellowship, first last September and then again in January when they did another round. I remember feeling at a loss. What kind of project could I do with the collection of “a Victorian-era natural history museum with more than 100,000 specimens”? In retrospect, I’m glad that these scholars were more creative than me. Their projects ranged from creating a typeface from a curator’s handwritten labels to creating jewelry based on illustrations in the Wagner’s archives.

Emily Cobb took inspiration from scientific illustrations at the Wagner to create some beautiful jewelry.

One project proposed by the Wagner staff and carried out by Tyler professor Byron Wolfe and student Daniel Kraus was the printing of two micro-negatives that hadn’t been viewed for probably a century.

Print made by Byron Wolfe and Daniel Kraus from a microscopic negative produced by the Langenheim brothers.

All in all, it was a fascinating evening, and inspiring. It was a reminder that archives contain multiple kinds of information and that I have been looking at archival material in pretty tame ways. The wheels in my head are spinning now, especially in conjunction with the readings for Studies in American Material Culture, and we shall see where they resolve in the near future.

My biggest regret about this evening of magic is that it seems to have almost no presence on the internet; I hope the Wagner puts up some photos on their website soon!

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