As I read “More Product, Less Process: Revamping Traditional Archival Processing” by Mark A. Greene and Dennis Meissner, I thought of my current pleasure read, Lev Grossman’s Codex. One of the plot threads in Codex is a treasure hunt of sorts that takes the protagonists to a rare book library’s off-site storage facility to search the mound of unprocessed material, hoping to find a medieval manuscript that may or may not exist. While Greene and Meissner’s argument–that archives should focus resourcing on quickly, minimally, processing material rather than being exhaustive–applies more to institutional records than rare books, the same potential for a mound of “lost” information exists. The characters have gotten to the point where they’ve broken into a secure facility because they searched through all of the various databases at the library and the card catalog and couldn’t find a trace of this book. The same potential for discovery–and on the other hand, occlusion–rears its head in a whole subgenre of fiction. From Umberto Eco to Dan Brown, the idea that some treasure map might be out there somewhere if you only knew where to look has kept readers turning the page.
One of my favorite books of this ilk is A. S. Byatt’s Possession, which not only delights in archival discovery in a way that would make Arlette Farge proud, but also captures many other facets of archival acquisitions. Continue reading “Archival Process as Plot Mechanism”